Biography
Michaël Berghman (1984) is Assistant Professor of Sociology of Art and Culture at the Erasmus School for History, Culture and Communication.
Michaël studied Sociology at the University of Antwerp and the University of Leuven. Given his extracurricular activities in graphic design, music and theatre, it was no surprise that he was drawn to the arts and culture as study domains. However, he also discovered a profound interest in social inequality (in both its hard and subtler forms). A combination of these interests he found in Cultural Sociology.
This inspired him to pursue a PhD project entitled 'Context with a Capital C. On the symbolic contextualization of artistic artefacts' at the Centre for Sociological Research (KU Leuven). In the project he used a multidisciplinary approach to study art perception. Applying a combination of experimental and survey methodology, he studied the impact of context on visual art appreciation.
He was also biefly involved in research on poverty and pension protection.
After finishing his PhD, he joined Project UMA at the Faculty of Industrial Design Engineering (TU Delft). As a postdoctoral researcher, he was involved in the development of a unified model of aesthetics, integrating various psychological principles of aesthetic pleasure.
In 2016, Michaël joined the Department of Arts and Culture Studies, where he teaches on cultural sociology (at various levels) and introduces students to the methods of data collection. He is coordinator for the ACW programme.
His main research interests involve the perception and appreciation of cultural products (whether popular culture, fine art or design) and how they are patterned in social stratification. In particular, he is interested in the embodiment and malleability of taste.
Erasmus School of History, Culture and Communication
- berghman@eshcc.eur.nl
More information
Work
- Emy S. Van der Valk Bouman, Antonia S. Becker, Julian Schaap, Michaël Berghman, Joost Oude Groeniger, Merle Van Groeningen, Femke Vandenberg, Roos Geensen, Johannes Jeekel & Markus Klimek (2024) - The impact of different music genres on pain tolerance: emphasizing the significance of individual music genre preferences - Scientific Reports, 14 (1) - doi: 10.1038/s41598-024-72882-2 - [link]
- Femke Vandenberg & Michael Berghman (2024) - The show must go on (line).: Livestreamed concerts and the hyper-ritualisation of genre conventions. - Poetics. Journal of Empirical Research on Culture, the Media and the Arts, 103 - doi: 10.1016/j.poetic.2023.101782
- Guilherme Giolo & Michael Berghman (2023) - The aesthetics of the self: The meaning-making of Internet aesthetics - First Monday, 28 (3) - doi: 10.5210/fm.v28i3.12723 - [link]
- Femke Vandenberg & Michael Berghman (2023) - A taste for collective effervescence?: A micro-sociological analysis of folk, pop, and highbrow music consumption. - [link]
- Thomas Calkins III, Michael Berghman, Julian Schaap & Martijn Mulder (2023) - Gender differences in live music on Dutch stages. - [link]
- Julian Schaap, Michaël Berghman & Thomas Calkins (2022) - Attractive People Make Better Music? How Gender and Perceived Attractiveness Affect the Evaluation of Electronic Dance Music Artists - Empirical Studies of the Arts, 41 (1), 284-303 - doi: 10.1177/02762374221118526 - [link]
- Michaël Berghman, Thomas Calkins, Koen van Eijck & Yu Chin Her (2022) - The female nude and the naked guy: declarative and nondeclarative personal culture in aesthetic responses to artistic nude photography - American Journal of Cultural Sociology, 11 (4), 419-443 - doi: 10.1057/s41290-022-00152-7 - [link]
- Ahmet Talan, Michael Berghman & Eward Steenks (2022) - Sociologie voor sociaal werk - [link]
- Femke Vandenberg & Michael Berghman (2021) - Constructing the Virtual Music Concert: How High, Pop and Folk Audiences Build Context Online.
- Pauwke Berkers, Julian Schaap, Femke Vandenberg, Rick Everts, Britt Swartjes, Didier Goossens, Michael Berghman & Frank Kimenai (2021) - Muziek als medicijn tegen maatschappelijke kwalen? - Sociologie Magazine, 29 (1), 6-9
- Femke Vandenberg & Michael Berghman (2021) - Reconstructing music concerts online: How highbrow, pop and folk audiences virtually build context.
- Femke Vandenberg & Michael Berghman (2021) - The show must go on(line): virtually building context in livestreamed music concerts.
- Femke Vandenberg & Michael Berghman (2021) - The show must go on(line): virtually building context in livestreamed music concerts.
- Femke Vandenberg, Michael Berghman & Koen van Eijck (2020) - ‘Wear Clogs and just Act Normal’: Defining Collectivity in Dutch Domestic Music Concerts - Cultural Sociology (print), 1-19 - doi: 10.1177/1749975520961618 - [link]
- Julian Schaap, Femke Vandenberg & Michael Berghman (2020) - Balkonconcerten, lockdownsessies en quarantunes: muziek als sociale geleider tijdens de COVID-19-pandemie - Tijdschrift Sociologie, 1, 101-114 - doi: 10.38139/TS.2020.12 - [link]
- Femke Vandenberg, Michael Berghman & Julian Schaap (2020) - The ‘lonely raver’: music livestreams during COVID-19 as a hotline to collective consciousness? - European Societies, 23 (51), 141-152 - doi: 10.1080/14616696.2020.1818271 - [link]
- S Perlstein, N van Vuuren, L Velema, Michael Berghman & Pauwke Berkers (2020) - Onderzoek naar opvattingen rondom culturele diversiteit bij medewerkers van Rotterdamse culturele organisaties - [link]
- N van Vuuren, W Gillis-Burleson, Michael Berghman & Pauwke Berkers (2020) - Verwachtingen en voor(oor)deelen - video - [link]
- Michael Berghman, Pauwke Berkers & Ton Bevers (2021) - Gender and the representation of visual artists abroad: the case of the Netherlands (Speaker)
Activity: Oral presentation › Academic - Michael Berghman, Julian Schaap, Koen Eijck, Willem Koster & Jeroen Waal (2020) - Learning from Latency in Sociological Research: Using the Implicit Association Test to make sense of Timed-Surveys (Speaker)
Activity: Oral presentation › Academic - Femke Vandenberg, Michael Berghman & Koen Eijck (2020) - "Walk on clogs and just act normal": defining collectivity in Dutch domestic music (Speaker)
Activity: Oral presentation › Academic - Koen Eijck, Michael Berghman & YCh Ho (2019) - Male and female nudity in artistic photography: Gendered patterns in explicit and implicit categorization (Speaker)
Activity: Oral presentation › Academic
Introduction to Social Science Methods
- Year Level
- BA-1, BA-1
- Year
- 2024
- Course Code
- CC1016
Contemp. Appr. in Cult. Soc.
- Year Level
- BA-2, BA-2
- Year
- 2024
- Course Code
- CC2005
Consumer Culture
- Level
- MA-1
- Year Level
- MA-1
- Year
- 2024
- Course Code
- CS5010
Master Thesis
- Level
- MA-2
- Year Level
- MA-2
- Year
- 2024
- Course Code
- CS5050
Art, Culture and Society
- Year Level
- Minor, Other
- Year
- 2024
- Course Code
- CC9002
Master Thesis
- Level
- MA
- Year Level
- MA
- Year
- 2024
- Course Code
- CC4050
Master Thesis Class ACS
- Level
- MA
- Year Level
- MA
- Year
- 2024
- Course Code
- CC4008