09.30 | Coffee & tea |
09.45 10.15 | Alison Landsberg, Towards a Radical Practice of Anachronism: Memory and Dissensus in Post-Postracial America Siri Driessen, Response and moderator of discussion |
BREAK coffee /tea |
11.10 | Four parallel paper sessions D, E, F, G - D: Mediated Testimonies
Chair: Franciska de Jong- Gert-Jan van Rijn (Museon) - Personal stories and interactivity in exhibitions on WW2
- Susan Hogervorst (Open University / EUR) - ‘Eyes that have seen it’. Online WW2 testimony portals and the quest for authenticity
- Richard Vargas (Justus-Liebig-Universität Gießen) - Authenticity strategies to represent and memorialize the Colombian armed conflict through the contemporary graphic novels: La Palizua and Sin Mascar Palabra
- E: Visual Media Representations
Chair: Laurie Slegtenhorst- Oliver Graney (Ecole polytechnique federale de Lausanne) - Staged, fictitious battle photography
- Giuseppe Previtali (University of Bergamo) - Re-claiming the Frame: A Visual Approach to IS’ Media Production
- Marcel Bahnen (ImageworX) - Visualising WW2. An uphill battle
- F: Musealising War
Chair: Stijn Reijnders- Falk Pingel (Georg Eckert Institute) - Exhibiting War to Understand Peace – new challenges for war-related museums
- Wannes Devos (War Heritage Institute Brussels/ Ghent University) - On the edge of history. Limitations and challenges of representing war in a national military museum
- Elżbieta Olzacka (Jagiellonian University) - Challenges of the Visual Representation of Violence in Wartime Society
- G: Online Cultural Memory
Chair: Jeroen Jansz- Sacha van Leeuwen (University of Glasgow) -Fallen Soldiers on Facebook: Online war commemoration in the UK
- Josephine Honke (University of Konstanz) - “German victims“ online: YouTube-videos of Allied air raids on German cities
- Robbert-Jan Adriaansen (EUR) - Picturing Auschwitz. Multimodality and the attribution of historical significance on Instagram
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LUNCH |
13.25 14.10 | Eric Holmes and Drikus Kuiper, The production of war video games Pieter van den Heede, Response and moderator of discussion |
BREAK coffee/tea |
15.15 | Three parallel paper sessions H, I, J, and a master class - H: Immersive Histories
Chair: Robbert-Jan Adriaansen- Floor van Alphen (Universidad Autónoma de Madrid) - Comprehending the “Reconquista” through bodily understanding and multiple perspectives
- Nimrod Tal (Kibbutzim College of Education, Tel Aviv ) - This Must be a Mistake: British Re-enactment of the American Civil War as an Act of Temporal Self-Positioning
- Tamika Glouftsis (University of Adelaide) - Too Much Immersion? Immediacy, Empathy, and Critical Thinking in War Games
- Rūta Kazlauskaitė (University of Helsinki) - Contested Pasts and Multiperspectivity in Immersive Virtual Reality History Education
- I: Ludic Engagements with Large-scale Conflicts
Chair: Pieter van den Heede- Ylva Grufstedt (University of Helsinki) - Counterfactual history in digital strategy games: On how and why game designers draw outside the lines in Hearts of Iron IV
- Alexane Couturier (Université du Québec à Montréal) - The Art of War : Beyond Photorealism and the Figure of the Hero-Soldier to Represent the Great War in Video Games
- Giulia Conti (University of Parma and at the University of Urbino) & Federico Montanari (University of Modena-Reggio Emilia) - Playing War: The Connection between War Videogames and the Civilian Experience
- Mykola Makhortykh (University of Bern) & Anna Menyhért (University of Jewish Studies in Budapest) - Aesthetics of historical trauma and WWI computer games: Narrating and perceiving mass violence via a new historical form
- J: War and Education
Chair: Susan Hogervorst- Pieter de Bruijn (Open University) - Panels on war: immediacy and agency in educational graphic novels
- Lennert Savenije (Radboud Universiteit Nijmegen) - An Educational Escape? WW2 Escape Rooms: the Nijmegen Example
- Laurike In’t Veld (EUR) - Between Education and Entertainment? Making the Armenian Genocide Visible in the Graphic Novel Operation Nemesis
- Jeroen Willemsen (Open University) - An Awkward Recollection: The present-day educational representation of Srebrenica in the Netherlands
- Master class Alison Landsberg - Representing the Past: Memory, Aesthetics, Politics
Chairs: Siri Driessen and Maria Grever- attendance reserved for PhD students of the Huizinga Research School
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17.00 | Kees Ribbens, Closure of the conference |
17.20 | Reception |